The director changing the film between color and black and white has two different meanings. In the watching the film you notice that the film starts out in color and as it is progressing to a photograph turns black and white. The is used throughout the film as you are following the action of Leonard going backwards it is viewed in a color sequence, yet when he is shown sitting in a motel room explaining his background or views about Sammy Jankis we see this in black and white. I think this allowed the viewer such as myself to watch two films in one about the same movie. This was necessary to differentiate between reality (color) and psychological thoughts (black and white), so when the film appeared in color we were given facts about what had happen, yet when black and white shots appeared we were given an explanation of what occurred or what we were believed to have occurred. It added to the film using this use of color or black and white during the film, because it clearly divided the film between fictional and reality.
The relevance of Sammy Jankis was that Leonard was Sammy Jankis. Leonard conjured up this fictional character to supplant in his thoughts as to justify his actions. In believing what had happened to Mr. Jankis in the film, you feel that Leonard was helping a client to believe his condition was a real disease and needed treatment. This was in fact Leonard's diseased and justification on his actions of killing his own wife. This was how the movie ended or started, Leonard killing a rapist of his wife finding out another person was in the same room knocks out Leonard. As Teddy tells Leonard at the beginning (ending) that he had already exacted revenge for his wifes rape, Leonard finds his next victim (Teddy) that he makes up for himself.
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